Everything new in the music business at the time would take time to develop. White Zombie was no exception. Case in point, I remember it took months and months of touring to get the interest from the music public at large. Geffen Records released" “LA Sexorcisto” in 1992 and the band toured behind it for over 24 months. The label stuck with them and radio finally came around. I had met the band a couple of times, however on this occasion they were set to headline the Warfield theater SF. I was back stage when one of the doormen stopped in and said that there was someone at the Backstage door looking for Sean Yseult. She said to everyone WTF. It turns out it was an old friend who had a gift for her. She said send them in, the bouncer got it mixed up and thought she meant to send the gift in, and make her friend go through the front doors. She was mad, however the gift arrived in a wooden slip case box. Sean took a moment and slipped the box top open and to everyone’s surprise was a perfectly preserved, acid dipped and cleaned Blue Jay. She was transfixed, saying that she will add this to her collection. She was asking us if we knew how awesome a gift this was, and that Birds have something like 300 bones. The acid cleaned bones is a taxidermist procedure that you really have to see to believe. Indeed an amazing gift.
Nirvana
I met and spoke to Kurt Cobain, Krist Novoselic and Dave Grohl numerous times. In this profession, it’s unavoidable when you work with a label whose artists you represent when you are in the field. One of the early interactions with the band was in the planning stages of the release of ”Nevermind” Through an executive at Geffen Records we had discussed with Kurt doing a record release party, which was vetoed. I suggested an instore autograph signing or an instore Live Performance. Kurt liked the idea of performing for a small group of fans in a store and said he would only do it at an indie store. I suggest Peaches in the U- District of Seattle which was approved by the band and label. They had a solid fan base already from the release of “Bleach” and performing in small bars and clubs near the University. 9/16/1991 the store was packed to the gills with anticipation, of course the fire department showed up, took one look at the crowd inside and said no one else is allowed inside, so we stationed a couple clerks to guard the entrance, so if you were late you were stuck outside. The band lit into a searing 10 song set rift with a mosh pit and kids crowd surfing over the record racks. Kurt at one point dove into the crowd himself. The instore turned into a success, and store sold all 400 pieces of “Nevermind” The band stuck around and signed autographs for about an hour outside in the parking lot in front of the Fire Engine. The fans were great and stuck around. I brought the band back into the store to meet Jamie the manager and his staff. I leaned into Kurt and asked “Well what did you think?” and he said “Better than expected” Enough said.
https://youtu.be/wqEFhNR9-t8
https://youtu.be/s7npc9J-Zzs
Peaches store in Seattle was in the process of being sold off. The new owners called them Beehive Records.
Peter Gabriel
I had the pleasure of working with Peter on his “Us” album, after his major artistic break thru record “So”, His album “So” not only catapulted him for it’s commercial success but it’s respectable achievement here and across the pond. He collaborated with Kate Bush, Laurie Anderson and Youssou N’Dour on his hit ‘In your eyes” which went on to push the album to the top of the Billboard singles, album and Radio charts. It even won him multiple Grammy’s and MTV Music Video awards. Transport forward a few years later and Peter releases a new album and embarks on a World Tour called “Secret World”. It too had all the trappings of success. The tour with Youssou N’Dour opening the show and even walking on as a guest during ‘In your Eyes” was a sold out tour. Peter is a very humble man, I took my wife with me for this show and had passes for a backstage meet and greet. We found the green room which was decked out with Couches, Pool Table, Ping Pong, Bar, Food bites and even a Video screen showing Peter Gabriel videos.. No one was certain that Peter would even make an appearance, but that did not deter everyone backstage from chatting it up and eating and drinking for what seemed like an hour. With time pressing and no Peter Gabriel, people started to slowly leave. The back stage crowd thinned, it thinned even more when Youssou took the stage. I think everyone figured Peter would be a no show. There I was with a few of us in the room and with my wife sitting on the couch talking about making our way to our seats when literally out of nowhere Peter pops in and introduces himself. We had a wonderful discussion about the tour and how he enjoyed the art museums in San Francisco. I told him I had seen him with Genesis on the” Lamb Lies Down on Broadway” Tour years hence in Berkeley, so he got to reminiscing about that time in his life. He talked about melding music and theater to come up with an evocative nuance on stage. The band at the time worked to make the show larger than life, for all to experience. It was a fascinating conversation. He was smart, funny and down to earth…very approachable. It made the whole back stage experience one that I will not soon forget.
Shirley Manson and Garbage
I got to know Shirley while working with Radio Active Records on her Angelfish album. We had some success with the track “Suffocate me”. The Album was produced by Tina Weymouth of the Talking Heads. The band came into San Francisco during a tour for their self titled debut Album. I took Shirley round to a few record stores for an impromptu greet and meet and luncheon with some managers. The following year Shirley ditched Angelfish and would front the band Garbage; which was a Butch Vig incarnation. The first Garbage album was done mostly in the studio with Butch playing all the instruments. The Band Garbage recorded a hit with “Stupid Girl” and were a darling at early commercial alternative radio. They decided to hit the road and brought along bassist Danny Shulman from some early Run DMC sessions. The band scheduled mostly Radio Winter Festivals and a handful of club dates. In San Francisco Shirley contacted me and made sure I was going to be at Slims for an intimate club date. She said “Bring all those people I met last time, so they can see my new band” To say the least the band nailed it! Shirley hung around and signed autographs for anyone who wanted one (she was a trooper) Both Butch and Shirley told me later that night Backstage, that they were not sure how the music was going to translate since they were using samples and Midi controllers. After much discussion we convinced them that they sounded amazing and not to worry. Shirley’s stage presence alone was intoxicating. The next day they performed for Live 105’s almost Christmas, and KOME ’s Almost Acoustic Christmas to much larger crowds but unfortunately only a 5 or 6 song set!